Edinburgh 2017

Even at 70, the Edinburgh Festival just seems to keep getting bigger. Every time I go I think surely the expansion cannot continue but it does.

One big reason for that is that I should have said festivals rather than festival: the Edinburgh International Festival began in 1947 and continues to offer a programme at the highbrow end of the spectrum; the Fringe was started the same year by eight acts who were not allowed to take part but is now far bigger than the main event; the Book Festival is a relative youngster at 34; and the Free Festival began in 2004 as an alternative to the Fringe’s market economy. That’s not including the Film Festival and the Politics Festival, which used to be in August as well but have now moved to different times in the year.*

A second reason is that there can be few other cities in the world that have so many buildings that can be transformed into good venues. On top of the full-time theatres and concert halls and back rooms of pubs, there are countless university buildings, churches, chapels and halls and university buildings that can be used.

The irony is that the legacy of centuries of Edinburgh’s devotion to learning and Protestantism is an endless selection of places to buy an over-priced pint while toasting a statue of John Knox.

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Concerned eyebrows

Originally posted on August 26 on Inside Edge 2, my blog for Inside Housing

Housing protests burst on to the stage at this year’s Edinburgh Festival.

One of the best shows I saw on the Fringe was E15, a play devised from verbatim accounts of what’s happened since 29 single mothers were told they would be evicted from the Focus E15 hostel in Newham in October 2013.

For a mainstream audience it shows the extremes of the housing crisis in a borough where severe homelessness and deprivation co-exist with the post-Olympics boom. It’s also the inspirational story of a group of people who in their own words knew nothing about politics and protesting but who refused to be marginalised.

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